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"The best play of the new year—by a hop, skip, and a mile! Speaking to us with such generous heart. . ." (John Heilpern, New York Observer)
"This Jitney is a transport of delight. So vividly written, . . . it keeps you steadily amused, concerned, and moved." (John Simon, New York Magazine)
A thoroughly revised version of a play August Wilson first wrote in 1979, Jitney was produced in New York for the first time in the spring of 2000, winning rave reviews and the New York Drama Critics Circle Award as the Best Play of the Year. Set in the 1970s in Pittsburgh's Hill District, and depicting gypsy cabdrivers who serve black neighborhoods, Jitney is the seventh in Wilson's projected 10-play cycle (one for each decade) on the black experience in twentieth century America. He writes not about historical events or the pathologies of the black community, but, as he says, about "the unique particulars of black culture . . . I wanted to place this culture onstage in all its richness and fullness and to demonstrate its ability to sustain us . . . through profound moments in our history in which the larger society has thought less of us than we have thought of ourselves."
- Sales Rank: #1944030 in Books
- Brand: Brand: Overlook Hardcover
- Published on: 2001-11-12
- Released on: 2001-09-06
- Original language: English
- Number of items: 1
- Dimensions: .54" h x 5.82" w x 8.58" l, .54 pounds
- Binding: Hardcover
- 120 pages
- Used Book in Good Condition
Review
"No one except perhaps Eugene O'Neill or Tennessee Williams has aimed so high and achieved so much in the American theater." -- John Lahr, The New Yorker
"The best play of the new year-by a hop, skip, and a mile! Speaking to us with such generous heart..." -- John Heilpern, New York Observer
"This Jitney is a transport of delight. So vividly written, ... it keeps you steadily amused, concerned, and moved." -- John Simon, New York Magazine
Thoroughly engrossing...Jitney hold us in charmed captivity. -- The New York Times
About the Author
August Wilson is a major American playwright whose work has been consistently acclaimed as among the finest of the American theater. His first play, Ma Rainey's Black Bottom, won the New York Drama Critics' Circle Award for best new play of 1984-85. His second play, Fences, won numerous awards for best play of the year, 1987, including the Tony Award, the New York Drama Critics' Circle Award, the Drama Desk Award, and the Pulitzer Prize. Joe Turner's Come and Gone, his third play, was also voted best play of 1987-88 by the New York Drama Critics' Circle. In 1990, Wilson was awarded his second Pulitzer Prize for The Piano Lesson.
Most helpful customer reviews
1 of 2 people found the following review helpful.
"You want to make something of your life, then the opportunity is there."
By doc peterson
_Jitney_ is set in 1977: the energy crisis is in full swing, and the nation is heading towards a recession. In Pittsburgh, Becker runs the jitney station - an underground, unofficial taxi serving the African-American community. The pace of the play is slow and meditative as the jitney drivers banter and run the dozens on each other; the plot is subtle - the drivers are working-class men simply trying to make ends meet, each with very different perspectives on where life is taking them. Youngblood is a Vietnam veteran who is struggling to realize the "American dream," hoping to buy a house for the mother of his child. Becker, the owner of the jitney station is facing its closure by the city and the recent release of his son, Booster, from prison. Booster is starting his life anew after serving 20 years for murder.
As these characters tease and verbally spar with each other, Wilson shows a variety of perspectives on the African-American experience in the late 20th century. As Youngblood put it, "If you can't change the way you look at me ... then I might as well surrender now. I can't beat your memory of who I was if you can't see I've changed. ... no matter what I do, I can't never do it right, 'cause all you see is the way I used to be. ... You don't see I've changed." This is echoed by Booster, who later in the play says, "... I decided right then that dreams didn't mean anything in this world. You could be the president or a bishop or something like that. You can dream you got more money than Rockerfeller. See what happens when you wake up." In spite of these broken dreams and the sense of inevitable failure, Wilson continues to offer hope to his characters, much as America continues to offer hope to its downtrodden.
The barbershop banter and lack of action makes for a pensive piece, much more so than many of Wilson's other plays. It is a powerful play nonetheless.
0 of 0 people found the following review helpful.
Five Stars
By Tiye Petersen
great play.
0 of 0 people found the following review helpful.
Five Stars
By shedevil91
Wonderful play.
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